the competitors

Posted by admin in Uncategorized on May 15th, 2009 04:08pm

 

“I want to write something of my own, and for it to seem like I have quoted one of the greats. I want to turn the heads of all the casual readers and those that I can no longer just assume will love me.  I want to turn your understanding upside down, to tilt your head to the side in a distracted thought that tumbles into an avalanche.”

Rooftops at night

the competitors

this is not a race
to see whose collection is bigger
more prescient     more relevant
more refined

although we rush
to gather our choice of memories
or inspirations   recollections
like burning rubber hoses and bubbling fluids

or like the cozy lazy tears at body temperature
that saturate the skin then cool as they evaporate
 

or like the cold that rushes into the spaces between two bodies
as they separate from a long embrace    the smell of skin mostly
permanent   the smell of hair that fades

or even like the redness of a thousand rooftops that fades as seen from a picture window at the peak of a high hill only to be replaced by a few thousand white lights from distant windows and porches and headlights and red lights of brakes and traffic signals and orange lights of do not walk do not cross wait and streams of colors that surround the edges of sight against the milky blueblack sky of dark silent clouds

this is more of a downhill tumble
one whose swath is more defined
by the piles of trash
that run like horrible giant walls

fading in and out of recognition
of attention   or of even being noticed at all

i think we are the collectors
and then the guardians of all of that
our giant piles plowed through
with the feeble bandwidth
of our revelations

 

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Reflections

Posted by paul in Chapstick, Volume 12 on December 10th, 2008 01:57am

A quick moment of reflection before I launch into this one. I think I became employed today…although I’m still looking for a better job…economic crisis aside, I really did just need to start working. (More on that later.)

Two thoughts, simple yet profound, on what people are not meant to withstand extended periods of.

The first: people are not meant to be unemployed. It’s terrible meeting people, as the prime thing on everyone’s mind when you are meeting someone is, “I wonder what he or she does?” Well, I don’t do anything. So get over it!

The second: people are not meant to be alone. There are all kinds of strange thoughts that I have. I need people to hear me say these thoughts outloud, then to immediately tell me of their absolute incongruous nature to reality. Also, for reasons unexplained, I start believing anything I read or hear. I become incapable of editing anything.

Anyway, on to the music…

Oh yes! ps. This wholly unclassified piece of work that has become Chapstick Weekly is great and I appreciate you for staying the course in this not-exactly-critical, not-nearly-weekly, not-really-a-magazine collection of musings. I like that I am not insistent on being the first to cover new or albums and it is still appreciated. I also like that there is absolutely no regularity to this, but people continue to ask me about it. So besa me, besa me mucho, which, I believe, means thank you in Italian.

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I Miss You And You Know Who You Are Mix

Posted by paul in Uncategorized on December 10th, 2008 01:56am

Please Note, I could not get several of these tracks to work. So here’s the list!

The Chemical Brothers - The State We’re In
The Chemical Brothers – Denmark
Cut Copy – Lights & Music
Pacific! – Number One
Friendly Fires – Skeleton Boy
Kaiser Chiefs – Addicted to Drugs
Flying Lotus – Parisian Goldfish
Lost In Los Angeles – All Roads Lead to You
Hot Chip – Over and Over (Live: Berlin Music Festival)
The Duke Spirit – The Step and the Walk
TV On the Radio – Crying
Brendan Canning – Love Is New
Air – The Vagabond
Electric Owls – Magic Show
The End of the World – Someone Else’s Dollar
Stars – Your Ex-Lover Is Dead
Colin Meloy – Here I Dreamt I Was an Architect / Dreams
The Flaming Lips – Are You a Hypnotist??

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Albumen!

Posted by paul in Albums, Volume 12 on December 10th, 2008 01:50am

Department of Eagles, In Ear Park
TV On The Radio, Dear Science
Thievery Corporation, Radio Retaliation
Radiohead, In Rainbows
Megafaun, Bury the Square

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Chapstick!

Posted by paul in Chapstick, Volume 12 on December 10th, 2008 01:49am

Really quick, some one-sentence summaries for the shows I’ve seen over my extended chapped lipped period recently. Please note the effort I give to masking my run-on sentences.

ps. Where’s my chippie? pps. Everybody’s famous on YouTube. pps. This is me on a daily basis, really, it’s just funnier seeing someone else do it.

Blitzen Trapper: Remarkable in their excellent musicianship and steady tempo; fantastically executed and surprising in their complete wholeness on stage.

Horse Feather: Quiet, delicate, and truffled.

Megafaun: No one has tried to mix ambient electronic with some of the best bluegrass music I have ever heard with such alarming alacrity as these guys ps. they are really funny too.

VHS or Beta / Rapture DJ set: Something about celebrity DJ sets makes me wonder what they actually must be listening to.

Mad Rad: I don’t claim to know much about hiphop, but I think these guys were more rap, I did have fun after a few (6 or 9) shots amidst shirtless, upper-body, slam-dancing and a lyrical post-natal quest to return to the womb.

Elms: Another solid performance by this Indiana band whose talent never ceases to amaze me.

Wolf Parade: Good show, good performance, good music, good people, good times, good night.

The Duke Spirit: Despite being under the weather and thinking that they sounded not so good, this band had the voice of Brazilian Girls and the sound of well, Wolf Parade!

The Duke Spirit afterparty DJ: Really dug your mix, good sir i.e. in the words of Tim and Eric, Great Job!

30-year-old Private Bday Party I Crashed on Saturday DJ: Was this you too? Many good songs mixed in with what can only be compared to the better half of the wedding song catalogue.

VHS or Beta: A quiet night at James and Marple’s transformed into an engaging, danceable show; and yes, I sang along and yes, I saw you looking at me doing it.

Tom Morello: Sucked! Aka to be expected as the best moment of his concert was a brief 15-second Rage guitar part.

Tom Morello Encore: Dear Woody Guthrie, Please forgive Tom for making all the crowd sing along to his hard rock version of This Land Is Your Land. Love, paul.

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Koushik

Posted by paul in Maybe New to You, Volume 12 on December 10th, 2008 01:42am

Imagine taking a best of album of the greatest lovemaking songs of the 70s and 80s, then having someone with the voice of a baby angel cover them with a superbly laid back electronic act. You’ll be close to where the sounds of Koushik take you.

Their new album, Out My Window, is a fantastical exploration of the softer sides of your imagination. The gentle yet persistent grooves will paddle boat your mind through the tantamount imperfections of being, relying as much on the drifting currents of ambient electronic sounds as on the smooth prodding of smoother jazz tones. I won’t pretend you can dance to this, but if you’re one of those people who get going rather gradually throughout your Saturday morning, this would be suitably appropriate, especially if you’re getting going rather slowly with a special lady/gentleman friend (I meant either/or here, but if you prefer both at the same time, then yes to that too).

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TV on the Radio

Posted by paul in Maybe New to You, Volume 12 on December 10th, 2008 01:41am

Man, I was wrong to dismiss this one. The new album, Dear Science, definitely resonates with me on several levels. And to think! The previous albums, so lackluster and outside my liking due to their metallic sheenlessness.

Maybe somebody put a few quarters (or dollars or whatever it takes in a recession) in the vibrating bed machine while they were on tour or something. Or perhaps it’s like the Beatles when they discovered pot and/or acid. Either way, the fruits of their work have paid off with a collection of tracks ranging from some beautiful, peaceful rants/musings to dancey, fun tracks with hooks and reels.

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The Electric Owls

Posted by paul in Maybe New to You, Volume 12 on December 10th, 2008 01:39am

One man and his laptop is how some people may describe this one after seeing the live performance, but the music speaks to a classic folk tradition that goes well into Appalachia. Acoustic guitars and self-made vocal harmonies decorate a vast landscape that spans genres from country to electronic, thumping alongside all of our river-ride of an American journey. Pensive, deliberate, thoughtful, and complex, this short EP has the ability to please a range of listeners. Here is another softy for this issue (see what I mean about thinking too much when you spend too much time by yourself?)…at least there are innumerable danceables that came before this. And maybe you’ll like this better, as it is currently venturing into winter.

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Lost in Los Angeles

Posted by paul in Maybe New to You, Volume 12 on December 10th, 2008 01:37am

Emergent! After leading off with two singles, this group has its expectations to fulfill. Spacial, pressing music backs an emotionally charged, timid voice on their track All Roads Lead to You. Closing my eyes, I see years span before me, from the years when I could hear the beauty in Crazy Mary from Pearl Jam or to the slick mindscape that appeared when listening to Honey from Moby all the way to the discovery of all of the music that makes you smile in spite of yourself in its ability to hover in the nomadland of a slightly misunderstood nature.

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Buy the new Kaiser Chiefs!

Posted by paul in In Case You're a Dummy, Volume 12 on December 10th, 2008 01:35am

Buy the new Kaiser Chiefs album, Off With Their Heads. Teaming with producer Mark Ronson and complete with a Cut Copy remix, this album literally blew me away (J/K…I am laughing at that description because it is so lame – what does that even mean).

Anyway, I can’t understand anything they’re saying.

What I mean is that the unpretentious coupling of shake-your-ass hypnotist Ronson and the straightforward lyrics, guitars, drums, and otherwise makes for an incredible listen, with bongo breakbeats and synth crescendos lurking around each bend. It’s as if they took their naturally bouncy, catchy rock sound into the music store for an upgrade and someone was like, Hey, here is the new Ronson module: plug this in for increased danceability and improved harmonic performance.

This is certainly not to say that the album is without a nondanceable hymnal or two, the thoughtful moments of this album reach into places where you may or may not be familiar. Itchy, clammy places. Places your loufa would balk at. And ps. you have to love the English-ness of the album. In particular their approaches to their foreign understanding of hiphop and rap lyricism.

But, seriously, all seriousness aside, go get this album, wait until you have guests that are impressed with new music (and maybe have consumed a bit of alcohol), place this record in your phonographic player and boogie.

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Boards of Canada, The Campfire Headphase

Posted by paul in The Alamo, Volume 12 on December 10th, 2008 01:29am

Among the most beautifully composed electronic albums of electronic music history, Boards of Canada welcomes listeners literally (lyrically?) Into the Rainbow Vein, where, once inserted, we can navigate the myriad capillaries, blood vessels, lymph nodes, and other internal structures of their intensely created musical landscape.

I have certainly caught myself saying something like: I feel like Chromakey Dreamcoat right now. And I have. The track’s simple few notes of a nearly atonal electric guitar on repeat grates against nerves until a smoothness that can only, at best, remain undefined soothes the open sores like sucking on a frickin’ cactus in the desert.

And this track isn’t alone. Some Boards of Canada fans may not rank this album most highly on their list (and I don’t blame them), but the maturity that their music has reached in its depth and structure is absolutely amazing. Drawing from a vast catalogue of subtle, effected samples and purely refined synthetic tones, I can, with no exaggeration, say that the music has the ability to massage deep into my muscles, drawing out endorphins and eliminating the lactic waste like no other music you might experience. If this isn’t on your list, put it on your list. If you don’t have a list, make one and put this on it.

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Daily Scheduling with Pencils.

Posted by paul in Some Things Are Funny, Volume 12 on December 10th, 2008 01:27am

As I’ve had several questions about this, I wanted to be clear and post my daily schedule. Most of you who have been asking also have seen me commonly in the evenings, so here is the daytime.

7:00 – 7:12 a.m.
In-bed calisthenics, 110 pushups, 150 star squats, and a glass of eggwhites (I pour this before I go to bed so it will be there, bedside in the morning).

7:13 – 11:45 p.m.
First nap.

11:46 – Noon
Delete spam and Facebook notifications from my Email box. Send Email to Barack Obama. Lament on absence of personal communications via Email.

12:01 – 1:15 p.m.
Watch selected scenes from E.T. the Extraterrestrial and force myself to fake-laugh, which, in turn makes me officially laugh. LOOK AT HIS FACE! AHAHAHAHAHA!

1:16 – 1:17 p.m.
Pour myself a delicious pint of beer.

1:18 – 1:20 p.m.
Finish the beer, pour myself another beer.

1:21 – 1:47 p.m.
Pet the dog until I get drowsy enough to sleep with him on the little love seat he has designated as his with an eerie amount of permanent hair (no joke, those white, allergen-infested shedlings are not coming off that couch).

1:48 – 5:45 pm.
Second nap.

5:45 – 5:46 p.m.
Scramble into my room and act like I’ve been doing work all day at my computer before my brother comes home.

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